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Music over Mind, Mind over Matter. The music we listen to influences how we feel and think. When we choose our music, we choose out mood and our motivation. Whether you need Mozart for concentrated studying, Chopin for a romantic interlude, or soft rock to spur you into cleaning the kitchen, music will make a difference.
Music sometimes has a much broader influence, too. Take, for instance, the impact of the Beetles. In one strand of Beatles lore, it was Ringo Starr who came up with the phrase “eight days a week”: an offhand joke about a working schedule so frantic it seemed to crush time. For a glimpse into musical and cultural history, you might watch a documentary from Ron Howard (Frost/Nixon, Rush), which focuses on the band’s notoriously hectic touring period, and you will feel pop history whistling past at speed.
A Still from Ron Howard’s Beatles Documentary Eight Days a Week
Howard’s film follows the band from Ringo’s arrival in 1962 to their final paid live concert in 1966. Four lifetimes of live performance crammed into as many years, whittled down in turn to two hours of movie.
“We were force-grown, like rhubarb,” John Lennon laconically observes in one of many well-chosen snippets. It’s a line that chimes with every step Howard shows us the band taking – all the way to the recording of their transformative 1967 album Sgt. Pepper’s Lonely Hearts Club Band. The film takes you into the exhilarating but punishing show-business whirl that led up to it.
Other than obligatory signposts to epoch-defining events like the Kennedy assassination, there’s little historical context – but that’s because Howard understands the band is the historical context.
The phenomenon of their live appearances – not just the concerts themselves, but the cheeky press conference preludes, and the hysterical, garment-rending fallout – itself defines the era with a spiky precision.
Vitally, though, the songs themselves get their due. Some appear in pleasingly unfamiliar forms. The film’s title track first turns up with Lennon and McCartney’s experimental oohed introduction, before segueing into its better-known version.
Plus there’s the straightforward pleasure of hearing the tracks play through a cinema sound system. – When Sgt. Pepper’s opening chords slam into your chest, the album really feels like an act of resuscitation.
What The Beatles did with the new lease of life that record gave them isn’t a matter for this film. But if Howard decides to address it in another, it’d be very welcome.
Courtesy: http://www.telegraph.co.uk/films/2016/09/12/in-the-beatles-eight-days-a-week-ron-howard-shows-pop-history-at/
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